6 Nadcházející události

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Countryside, The Future is an exhibition addressing urgent environmental, political, and socioeconomic issues through the lens of architect and urbanist Rem Koolhaas and Samir Bantal, Director of AMO, the think tank of the Office for Metropolitan Architecture (OMA). A unique exhibition for the Guggenheim Museum, Countryside, The Future will explore radical changes in the rural, remote, and wild territories collectively identified here as “countryside,” or the 98% of the Earth’s surface not occupied by cities, with a full rotunda installation premised on original research.

Daiga Grantina creates large-scale sculptural assemblages that emulate the natural world, often resembling terrariums and vegetation. Her labored configurations employ synthetic materials and incorporate conflicting physical qualities: soft and hard, transparent and opaque, mobile and static, strong and weak.

Bringing together nearly forty paintings spanning her career, including works from her celebrated series Visible Man (2013–14) and Nights in Harlem (2017), along with recent portraits of her students at Rutgers University-Newark, “Within Reach” will be Jordan Casteel’s first solo museum exhibition in New York City.

Beginning in the early 1960s, Peter Saul began to incorporate imagery borrowed from a range of pop-cultural sources into his exuberant, brightly colored paintings, adopting a style that has proven to be far ahead of its time. His work developed independently from concurrent art historical movements like Pop art, with which it shares some superficially similar concerns.

With works by Agnes Martin, Roman Opałka, and Park Seo-Bo, Marking Time: Process in Minimal Abstraction invites viewers to imagine the artists’ creative process.

In the 1960s a group of avant-garde painters began to push abstraction in new directions. The Fullness of Color: 1960s Painting charts several of these courses.

3 Galerie

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