Step inside the world of Stanley Kubrick, one of the greatest filmmakers of the 20th century.
This exhibition offers a chance to experience the entirety of Bowling’s 60-year career. It showcases his sensual use of colour and bold experimentation.
From gastronomic experiments to urban farming, this exhibition brings together the politics and pleasure of food to ask how the collective choices we make can lead to a more sustainable, just and delicious food future.
From miniskirts and hot pants to vibrant tights and makeup, discover how Mary Quant launched a fashion revolution on the British high street, with over 200 garments and accessories, including unseen pieces from the designer’s personal archive.
This major new exhibition brings together works by one of Britain’s best-known and most widely celebrated photographers, Martin Parr. Including recognisable photographs alongside works never before exhibited it will focus on one of his most engaging subjects – people. The exhibition will include portraits of people from around the world, with a special focus on Parr’s wry observations of Britishness, explored through a series of projects that investigate British identity today.
Tate Britain presents a major exhibition about Vincent van Gogh (1853–1890). The EY Exhibition: Van Gogh and Britain is the first exhibition to take a new look at the artist through his relationship with Britain. It explores how Van Gogh was inspired by British art, literature and culture throughout his career and how he in turn inspired British artists, from Walter Sickert to Francis Bacon.
Tate Modern unveils a major exhibition of the work of pioneering artist Dorothea Tanning (1910-2012). Organised in collaboration with the Museo Nacional Centro de Arte Reina Sofía in Madrid, it is the first large-scale exhibition of her work for 25 years and the first ever to span Tanning’s remarkable seven-decade career. Bringing together some 100 works from across the globe, over a third of which are shown in the UK for the first time, the exhibition explores how she expanded the language of surrealism. From her early enigmatic paintings, to her ballet designs, uncanny stuffed textile sculptures, installations and large- scale late works, it offers a rare opportunity to experience the artist’s unique internal world.
Born in Poland and based in London, Piotrowska has an interest in domestic spaces and man-made environments. For one series of works she asked people in Lisbon, Rio de Janeiro, Warsaw and London to build makeshift shelters in their homes and gardens, subverting childhood play. Other works present gestures and movements from self-defence manuals, implying violence against women as well as their empowerment. Her photographs and films relate to self-protection, psychophysical relationships and the power dynamics underlying how we relate to each other. Her work was included in Being: New Photography 2018, MoMA, New York and 10th Biennale Berlin, 2018, Germany and forthcoming projects include a solo show at Kunsthalle Basel in the autumn 2019.
This display marks the bicentenary of the birth of George Eliot (1819–80), one of Britain’s most renowned novelists. Born Mary Anne Evans on 22 November 1819, she embarked on her career at the relatively mature age of thirty-two, initially working for the radical London periodical, the Westminster Review. In 1859, her first novel, Adam Bede, was published to critical acclaim and she went on to write six further titles, including The Mill on the Floss(1860) and Middlemarch (1871–2), celebrated for their realism and insights into the messy complexity of human relationships. Evans adopted the pseudonym ‘George Eliot’ to retain her anonymity. Since 1853, she had been romantically involved with a married man, the writer George Henry Lewes; although separated from his wife, their relationship was regarded as improper. Eliot also had concerns about her physical appearance, as her face had been described as ‘long’, ‘pale’ and horse-like. A pen-name could avoid drawing attention to both her awkward social position and unconventional looks, and allow her novels to be judged on their own merits. Eliot’s efforts to keep a low public profile extended to the visual image, this display’s central theme. At a time when the trade in popular portraits of celebrities was flourishing, she was […]
William Shakespeare’s history plays have shaped perceptions of the Plantagenet kings for centuries, with a cast of characters ranging from the flawed Richard II to the heroic Henry V. The plays were not created in isolation, but drew extensively on the historical accounts that were published in the sixteenth century to justify and celebrate the position of the Tudor dynasty, fuelling an interest in English history that also encouraged the production of posthumous portraits. This small display examines the Tudor construction of Plantagenet portraits and their legacy in the popular imagination.
Designer Maker User is an introduction to the museum’s collection, looking at the development of modern design through these three interconnected roles.