An ensemble of 88 works by Paul Klee, who was defamed by the National Socialists as “degenerate”, forms the foundation of the Kunstsammlung. Central to the show are the culturally and politically motivated travels of the Klee collection to nearly 40 places around the world between 1966 and 1985.
The exhibition “museum global. Microhistories of an Ex-centric Modernism” at K20 focuses on selected instances of a transcultural modernism that is situated beyond the Western canon. With microhistories from Japan, Georgia, Brazil, Mexico, India, Lebanon, and Nigeria (1910 to 1960), the museum interrogates not just an Eurocentric version of art history, but its own perspectives as well.
The American artist Lutz Bacher – who has concealed her identity beneath a masculine pseudonym throughout her career – works conceptually in a range of media. A longtime resident of California who now lives in New York, the artist has based her work since the 1970s on found objects as well as texts and images pulled from the minutiae of popular culture.