To mark the 25th anniversary of the city partnership between Berlin and Beijing, the Gesellschaft für Deutsch-Chinesischen kulturellen Austausch (GeKA e.V., Society for German-Chinese Cultural Exchange) in cooperation with the Staatliche Museen zu Berlin is showing works by young artists from Berlin and Beijing at the Museum für Fotografie (Museum of Photography).
Twenty years ago in 1999, TASCHEN published its first monumental art book: Helmut Newton’s SUMO. (…) Ten years ago in 2009, the Helmut Newton Foundation staged an unusual yet compelling exhibition dedicated to this legendary publication: all 460 pages of the book hung framed on the wall, side by side, in three rows one above the other. Exhibition visitors were literally able to see everything at once. (…) Now, a decade later and 20 years after its creation, SUMO will once again be presented at the Helmut Newton Foundation. Newton’s SUMO exhibition is complemented by an expanded reprise of the “Three Boys from Pasadena”. Ten years ago, the works of three of Newton’s former assistants – Mark Arbeit, George Holz, and Just Loomis – were featured all together in one of the foundation’s exhibition rooms. For this new exhibition, each of these American photographers will have a dedicated space for his unique and multifaceted oeuvre.
Berlin-based artist Heike-Karin Föll (born 1967, DE) works on the materiality and mechanisms of drawing, painting, and writing. The exhibition speed at KW Institute for Contemporary Art is her first institutional solo show and presents an overview of various groups of work.
Image Bank was founded in 1970 in Vancouver, Canada, by artists Michael Morris, Vincent Trasov and Gary Lee-Nova. A model for a utopian, alternative system of art distribution operating outside institutions like the museum and the market, Image Bank engaged in an international exchange of images and correspondence by mail. Among the artists participating in the ever-growing network of exchange were (besides Morris, Trasov, and Lee-Nova) Dana Atchley, Robert Cumming, Dick Higgins, Geoff Hendricks, Glenn Lewis, Eric Metcalfe, Kate Craig, Willoughby Sharp, General Idea and Ant Farm.
The large-scale monographic exhibition at KW surveys work from the past four decades alongside a new commission emphasizing the artist’s longstanding fascination for glass and its ambiguous status between materiality and immateriality, craft and concept.
Bani Abidi is known for her distinctive approach to filmmaking, which derives from the dark absurdities of everyday life. They Died Laughing is an extensive presentation of Abidi’s works, bringing together moving image and print-based works that span two decades.
Gustave Caillebotte (1848–1894) was one of the central figures of French Impressionism, yet he is among those artists who remain to be discovered today. His fame was initially founded on his role as a patron, and only later did he gain full recognition as a painter.
The exhibition Fazit is the prelude to an artistic project of the same name by realities:united. As the big, centralised thermal power stations start closing down in Germany, their artistic potential is explored with a view to accompanying industrial, cultural and social change. The proposal: Power stations still in operation during this stage should be modified so that instead of only producing energy and pollutants, they emit signals into the air, visible from afar, to symbolise and inspire this transformation.
To mark the centenary of the founding of the Bauhaus, this exhibition opens up a dialogue between contemporary art and the photographic avant-garde of the 1930s. It juxtaposes works by artists such as László Moholy-Nagy, Lucia Moholy, Man Ray, Jan Tschichold, Hedda Walther, Florence Henri, Hans Robertson and Erich Consemüller with groups of works by Thomas Ruff, Dominique Teufen, Daniel T. Braun, Wolfgang Tillmans, Doug Fogelson, Max de Esteban, Viviane Sassen, Stephanie Seufert, Kris Scholz, Taiyo Onorato & Nico Krebs, Antje Hanebeck and Douglas Gordon.
The exhibition ‘BEYOND’ features seven international artistic positions from the Olbricht Collection, who use their respective art forms to explore the subject of the afterlife. Each artist fills a separate space with art in their chosen media, ranging from painting, sculpture, video, installation to printmaking. Artists: Jonas Burgert, Jake & Dinos Chapman, George Condo, Nathalie Djurberg & Hans Berg, FORT, Kris Martin, and Francisco de Goya
Portraits and self-portraits by the painter Lotte Laserstein put a face on modern society in the Weimar Republic. Alongside her exhibition here at the Berlinische Galerie, BG has chosen some other (self-)portraits by artists who were living and working in Berlin at the same time as Laserstein.
Berlin’s Lotte Laserstein (1898-1993) was one of the most sensitive portrait painters of the early Modernist period when tradition vied with innovation. By the time she was 30, she was a well-known and successful artist. Her career was brutally ended in 1933. Berlin’s public museum of modern art, photography and architecture will show 58 works – 48 paintings and 9 drawings – by Laserstein along with documents reflecting her professional heyday in Berlin and her exile in Sweden.