10 Nadcházející události

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The numbering of Omer Arbel’s design compositions and architecture projects does not follow a certain mathematical pattern, to number the projects is merely an idea that grows over time; once an idea takes on a form, it gets introduced with a number. Omer Arbel’s ongoing creative process includes incorporating many materials especially copper, glass and pouring concrete.

The starting point for the current exhibition on this period is the photo magazine FOTOGRAFIE: Zeitschrift internationaler Fotokunst (subsequently FOTOGRAFIE: Kultur jetzt), produced in forty issues between 1977 and 1985 under the editorship of Wolfgang Schulz. The periodical quickly developed into a much-noticed, often controversial, national scene magazine: an extremely lively forum for a burgeoning new movement that was still largely unaffected by art commerce.

Artists: Johannes Geccelli, Göta Tellesch, Eberhard Havekost and Zora Mann.

Paper-based works from 1945 to the present

For the exhibition It Wasn’t Us the artist has transformed the Historic Hall of Hamburger Bahnhof – Museum für Gegenwart – Berlin as well as the outdoor space behind the building, into an expansive painting which radically destabilises the existing order of the museum architecture.

Otobong Nkanga’s interest lies in the complex relationship between humans and land. In her works, she explores this relationship within the tension between exploitative extraction processes and structures of care and repair.

9 Galerie

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