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The more classical photographs of architecture, which devote attention to the changing luminescent qualities of space and Kahn’s rigorous design research through his best-known works, are joined by more “daring” visions and alienating details in which Schezen demonstrated an authorial interpretation of the themes of light, shadow and form, paradigms shared by architecture and photography.

Architect, designer, art director, writer, poet, critic and all-round artist, Gio Ponti has been the object of historical-critical literature and exhibition programmes that would be difficult to equal.

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