Kunsthalle Wien is a space which comprises the broad diversity of international contemporary art and its related contemporary discourses. To this effect, Kunsthalle Wien has been developing innovative exhibition and communication formats.
Since it opened in 1992 – originally as a makeshift structure shaped like a container, today with locations at the Museumsquartier and Karlsplatz – Kunsthalle Wien, as an urban institution, presents national and international contemporary art. In this respect, it is both a location for established art and negotiation site for current societal issues as well as future developments.
Peter Friedl’s multifaceted works are exemplary suggestions and solutions for aesthetic problems regarding our political and historical consciousness. In pursuit of new narrative models, his projects examine both the construction and limitations of representation. The exhibition Teatro at Kunsthalle Wien focuses on a series of recurring themes in Friedl’s œuvre: model, language, history, translation, theatricality. The centrepiece of the exhibition is the film installation Report (2016), which was first presented at documenta 14 (2017). Based on Kafka’s AReport to an Academy Friedl developed a simultaneously complex and cinematographically opulent reflection on the interplay between identity and language, as well as adjustment and autonomy. Works such as The Dramatist (Black Hamlet, Crazy Henry, Giulia, Toussaint)(2013), and Teatro Popular (2016–2017) focus on the topos of theatricality as well but concentrate on the concept of the model. Inspired by traditional forms of puppet theatre, these model arrangements may be interpreted as potential counter-narratives to modernity. This links them to the series of architectural models Rehousing (since 2012), a selection of model houses presenting highly diverse reflections on history, politics, biographies, and ideologies; they are “case studies for a kind of mental geography relating to an alternative strain of modernity”. (Friedl)