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The exhibition Timber Tales presents urban timber buildings by weberbrunner architekten located across Switzerland and Germany in a variety of scales: the Freie Waldorfschule Kindergarten in Werder an der Havel; the multi-family house Im Amt in Gutenswil; the single-family home Bruderberg in Weiningen; the multi-generational housing estate Hagmann-Areal in Winterthur; and the sue&til housing complex, also in Winterthur, which is the largest timber residential project in central Europe.

The exhibition Transverse Wave brings Mary Bauermeister and Rashid Al Khalifa together with the sound designer Simon Stockhausen.

Gerhard Richter’s portraits of the Olbricht Collection are still on show until 31.01.2020. Afterwards Richter’s abstractions from the Olbricht Collection will be shown until the beginning of May 2020.

The 1990s: Think raves, when sportswear hits high fashion and unisex styles became popular, when political activism grew in the wake of the global AIDS crisis, and the end of the Cold War signaled the reorganization of the world, think of the reunification of Germany, and how the mass-production and use of mobile phones came into being, as well as the prevalent spread of the Internet. Yet the nineties also appear to mark a point in history where the time horizon curves and the future and the past seem set in some kind of loop. From then on, there is seemingly nothing culturally significant that hasn’t existed before, albeit in slightly different guises.

Lawrence Abu Hamdan’s (b. 1985 Amman, Jordan) audiovisual works and installations explore the political implications of language and communication. Traces of governmental or corporate violence and mechanisms of surveillance and propaganda reveal themselves in the scope of auditory perception.

Remarkable masterpieces by Paul Cézanne, Edgar Degas, Paul Gauguin, Vincent van Gogh, Ferdinand Hodler, Édouard Manet, Claude Monet, Pablo Picasso, Camille Pissarro and Auguste Renoir will be on display in new and surprising combinations alongside groups of works from the Beyeler Collection.

“Who am I? How do others see me? Who do I want to be?” Especially during puberty, the question of one’s own identity gains in importance. For the first time, the Kunstmuseum Wolfsburg is enabling young people to conceive their own exhibition on this theme. The museum’s curatorial and research assistants have developed an exhibition program together with young people between the ages of fourteen and seventeen.

In recent years, Rachel Rose has quickly risen to prominence for her compelling video installations and films. In her work, the artist often explores how our relationship to landscape, storytelling and belief systems around mortality are inseparably linked to one other. Through multiple subject matter — whether investigating the use of cryonics to extend life after death, narratives of abandonment in children’s literature, or the sensory experience of zero gravity in outer space — she questions what it is that makes us human and how we seek to alter and escape that designation.

The black-and-white photographs and films by Joanna Piotrowska (*1985) capture the everyday drama of human relations. The Polish artist creates inexplicably strange and touching images, whose recording of gestures of care, self-protection, or control are as deftly composed as they are psychologically charged.

Altan’s entire world told through original drawings, posters, illustrations, paintings, sketches, tables, books and videos.

The exhibition focuses on the creation of the “legend of Van Gogh” around 1900 as well as his significance to modern art in Germany. It unites more than 120 paintings and works on paper. At the heart of the exhibition are 50 key works by Vincent van Gogh from all phases of his artistic work. It is the most comprehensive presentation in Germany to include works by the painter for nearly 20 years.