The photographer Helmut Wimmer has been working with the Ganymede series in the Kunsthistorisches Museum for many years, producing sensitive and exciting portraits of the authors involved. For GANYMEDE NATURE he has let nature burst into the museum and its galleries. Comprising twelve tableaus, his photographic project The Last Day is inspired by historical facts and natural catastrophes: In the most poetical sense, Nature herself takes centre stage. Earth and water make their way through the galleries. Mountains take possession of the rooms. Leaves and shady groves cover ancient busts. A visual dialogue between two contrary worlds takes spectators on a journey in which violence and anger, memory and accusations are as palpable as pausing to think, and forgiveness. Nature as a space for civilisation and history. The museum competing with the forces of nature.
