South Korean artist Haegue Yang is renowned for creating immersive environments from a diverse range of materials. Her sculptures and installations often use industrially made objects, interwoven with labour-intensive and craft-based processes. These processes reflect pagan cultures and their deep connection with various seasonal ritualsin relation to natural phenomena.
Countryside, The Future is an exhibition addressing urgent environmental, political, and socioeconomic issues through the lens of architect and urbanist Rem Koolhaas and Samir Bantal, Director of AMO, the think tank of the Office for Metropolitan Architecture (OMA). A unique exhibition for the Guggenheim Museum, Countryside, The Future will explore radical changes in the rural, remote, and wild territories collectively identified here as “countryside,” or the 98% of the Earth’s surface not occupied by cities, with a full rotunda installation premised on original research.
Tarek Atoui comprehensively exploits the potential of sound art, which lies at the heart of his practice. (…) The show is based on Atoui’s ongoing project I/E, where the artist has been documenting the sounds of city ports, including Athens, Abu Dhabi, Singapore, Porto, and Beirut, since 2015.
Scalable Skeletal Escalator is an experimental live art work conceived by Isabel Lewis in the form of a holobiont, a multi-organismic assemblage, like the human body itself, shuddering and shaking into being.
Zastoupení autoři: Milan Adamčiak, Peter Bartoš, Juraj Bartusz, Mária Bartuszová, Milan Dobeš, Stano Filko, Milan Grygar, Jozef Jankovič, Igor Kalný, Michal Kern, Július Koller, Otis Laubert, Denisa Lehocká, Juraj Meliš, Alex Mlynárčik, Ilona Németh, Roman Ondak, Rudolf Sikora, Dezider Tóth / Monogramista T.D, Jana Želibská
For over three decades, the New Zealand-born artist Michael Stevenson, who lives and works in Berlin, has developed a practice that is at once research based and materially dedicated. His artworks operate at the confluence of economics, technology, belief, and the infrastructural systems that enable them.
This exhibition presents a new body of work by Kapwani Kiwanga, who lives and works in Paris. The work revolves around the epistemologies of botany, its histories and their relation to acts of resistance. The artist examines the role of plants in self-medication, subsistence, and self-protection, while considering plants as witnesses to human history.
As a mother, wife, and artist, Seejarim brings into attention the unequal distribution of labor attributed to women as useful and controllable subjects. While the issue of female subjectivity is prevalent throughout her work, Seejarim explores the complex tensions surrounding everyday household rituals done by women and their desire and dilemma to escape such roles.
The photographs by the British-Dutch photo journalist Merlin Daleman tell the poignant story of a divided Great-Britain.