The architectural office of Ritter Schumacher is based in Chur, located in the eastern Swiss alpine canton of Graubünden. The traditionally close relationship between the city and the surrounding region has shaped the holistic, integrative working approach of Jon Ritter and Michael Schumacher. The exhibition provides insight into their firm’s planning strategies for rural development in Switzerland. Using their work in the municipality of Churwalden as an example, it shows how a series of precise structural interventions in the rural context has set in motion a consistent, sustainable process of the area and is driving its future development.
With „B.A.R.O.C.K.“ the Wunderkammer of me Collectors Room Berlin and Schloss Caputh of the Stiftung Preußische Schlösser und Gärten Berlin – Brandenburg will be presenting artistic interventions by Margret Eicher, Luzia Simons, Rebecca Stevenson and Myriam Thyes.
Ernst Ludwig Kirchner, Gerhard Richter and Jonas Burgert: me Collectors Room Berlin creates dedicated spaces for three important German artists of three generations. The focus of the exhibited works is man as an artistic motif.
This exhibition explores the complexity of Israel and the West Bank—their topography, inhabitants, and everyday life—from the perspective of twelve internationally acclaimed photographers. Photographer and project initiator Frédéric Brenner says that his point of departure for the project was the desire to add new artistic visions to the images familiar from reporting on the region. He convinced renowned photographers to join him: Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Gilles Peress, Fazal Sheikh, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall, and Nick Waplington.
The Bauhaus existed for only 14 years in Germany, but for 100 years its ideas have now been passed on and its products relaunched, imitated and further developed. Marking the centenary of the Bauhaus’s founding, the Bauhaus-Archiv / Museum für Gestaltung’s exhibition at the Ber-linische Galerie is presenting famous, familiar and forgotten Bauhaus originals and recounting the history behind the objects.
As one of Iceland’s leading artists, Hreinn Friðfinnsson (born in 1943, Bær Dölum, IS) is celebrated for his inspirational and poetic use of everyday objects. His vocabulary, underscored by a delicate sense of humour, playfully implements storytelling and perceptual ploys. Friðfinnsson’s work could be characterised as conceptual, it investigates our understanding of time and the world around us.
A selection of paintings and drawings by Christina Ramberg will form the core of the exhibition, alongside of which other artistic positions such as Alexandra Bircken, Rachal Bradley, Sara Deraedt, Gaylen Gerber, Frieda Toranzo Jaeger, Konrad Klapheck, Ghislaine Leung, Hans Christian Lotz, Senga Nengudi, Ana Pellicer, Richard Rezac, Diane Simpson, Terre Thaemlitz, Kathleen White will expand the conversation and extend the understanding of the type of framing devices that can be identified as having an impact on and condition performance, behavior, and physical expression.
Every two years, four artists under forty years of age who live and work in Germany are nominated for the award and presented in a shortlist exhibition. From among the 70 nominations, the international jury has chosen the following artists: Pauline Curnier Jardin (born 1980 in Marseille, lives in Berlin), Simon Fujiwara (born 1982 in London, lives in Berlin), Flaka Haliti (born 1982 in Prishtina, lives in Munich), Katja Novitskova (born 1984 in Tallinn, lives in Amsterdam and Berlin).
Walking Through Walls marks the 30th anniversary of the fall of the Berlin Wall, one of the most symbolic events of the 20th century, interrogating the experience of vulnerability and anxiety caused by power structures that thrive on confinement and segregation.
Wu Tsang’s solo exhibition There is no nonviolent way to look at somebody presents films in dialogue with her sculptural practice, working with the interaction of glass, light and text, and including a new stained glass commission conceived for the Gropius Bau.
The exhibition Garden of Earthly Delights sees over 20 international artists using the space of the garden as a metaphor for the state of the world, in an exploration of the complexities of our chaotic and increasingly precarious present.
Twenty years ago in 1999, TASCHEN published its first monumental art book: Helmut Newton’s SUMO. (…) Ten years ago in 2009, the Helmut Newton Foundation staged an unusual yet compelling exhibition dedicated to this legendary publication: all 460 pages of the book hung framed on the wall, side by side, in three rows one above the other. Exhibition visitors were literally able to see everything at once. (…) Now, a decade later and 20 years after its creation, SUMO will once again be presented at the Helmut Newton Foundation. Newton’s SUMO exhibition is complemented by an expanded reprise of the “Three Boys from Pasadena”. Ten years ago, the works of three of Newton’s former assistants – Mark Arbeit, George Holz, and Just Loomis – were featured all together in one of the foundation’s exhibition rooms. For this new exhibition, each of these American photographers will have a dedicated space for his unique and multifaceted oeuvre.