This exhibition offers a chance to experience the entirety of Bowling’s 60-year career. It showcases his sensual use of colour and bold experimentation.

From gastronomic experiments to urban farming, this exhibition brings together the politics and pleasure of food to ask how the collective choices we make can lead to a more sustainable, just and delicious food future.

Painting is one of the disciplines encompassed by the Theatre of Orgies and Mysteries of Hermann Nitsch. His approach to this art form is deeply rooted in actionism, performance, and multimediality. Painting represents both the origin and the outcome of Nitsch’s actions. And with the exhibition NITSCH. Spaces of Color, the ALBERTINA Museum now aims to allow Nitsch’s painted works to be perceived not as part of a greater whole, but as paintings in and of themselves for the first time.

The exhibition follows the trajectory from the pioneers of the so-called »Golden Age« of Danish art (Christoffer Wilhelm Eckersberg, Christen Købke, Wilhelm Marstrand), to representatives of the National Romantic style, who primarily explored the beauties of their own country (Johan Thomas Lundbye, Peter Christian Skovgaard, Vilhelm Kyhn), to the Fynboerne, or Funen Painters, who practiced open-air painting on the Danish island of that name (Peter Hansen, Johannes Larsen, Fritz Syberg). Finally, paintings by Theodor Philipsen, a close friend of Paul Gauguin, will illuminate the signature aspects of Danish Impressionism.

Eight emerging artists present their work as part of their 2019 MFA Thesis exhibition. This exhibition demonstrates a diversity of views on subjects that range from identity to geometric abstraction to activism. What unites the work, is each artist’s challenge to expectation and perspective. Featuring J’han Brady, Amanda Muhlena Hays, Sarah Jarrett, Arnaud Leclere, Sonimar Maldonado, Bryan McGinnis, Guy Miller, and Veronica Salas.

One of the major global challenges facing contemporary built environments is the future of rural development. In China, rural regions have become a new space for experiments. This creates a new countryside at a speed and scale unseen in the Western world. Drawn by the promise of boundless opportunity, architects, planners as well as capital flow are converging in rural regions across the nation. With projects related to housing, local production, cultural practices, agricultural tourism, and revitalisation of communities, the exhibition depicts a panorama of the contemporary Chinese countryside. By outlining a prospect with opportunities and anticipating future development, the presented insights offer a rich source of ideas, strategies, and knowledge. The exhibition is embedded in the long-term programme ‘Regions on the Rise’ by ANCB The Aedes Metropolitan Laboratory.

Jean-Paul Viguier & Associés is an internationally operating practice founded in 1992 and based in Paris. The practice designs and develops projects following a global approach that spans architecture, urban planning, landscaping and interior design. In this exhibition Jean-Paul Viguier presents his manifesto on ‘IntenCity’: How can a growing population and the resulting density and intensity be conducted responsibly by city planners and architects?

At once tender and unsettling, the films, sculptures, installations, and performances of Geumhyung Jeong (* 1980) are often studies in animism of some sort. For her first solo exhibition in Switzerland, the South Korean artist and choreographer focuses her attention on the erotics of technical animism. She creates a large-scale installation comprised of numerous robotic sculptures built from DIY technologies and short films demonstrating the strange choreographies to which she subjects her “homemade” bodies.

The fact that the Kunstmuseum Bonn has put a focus on the discussion of painting was one of the reasons why the museum was chosen to present the Award of the Dieter Krieg Foundation 2019. The award is endowed with prize money of € 15,000 which is intended to finance the purchase of a painting. The Kunstmuseum has decided to acquire a painting by Berlin-based painter Monika Baer, which will be presented to the public on the occasion of a small exhibition about the artist.

The exhibition Fazit is the prelude to an artistic project of the same name by realities:united. As the big, centralised thermal power stations start closing down in Germany, their artistic potential is explored with a view to accompanying industrial, cultural and social change. The proposal: Power stations still in operation during this stage should be modified so that instead of only producing energy and pollutants, they emit signals into the air, visible from afar, to symbolise and inspire this transformation.

Step inside the world of Stanley Kubrick, one of the greatest filmmakers of the 20th century.

How is nature presented in contemporary art? And how are humans interpreted as relating to other species? The Coexistence exhibition opening in April 2019 looks at the relationship between humans and nature. Environmental issues, nature, and human coexistence with other organisms are topics of long-standing interest in art, but they have recently come into sharper focus amid the eco-crisis of the 2000s.

With The Black Image Corporation, Theaster Gates has conceived a participatory exhibition which explores the fundamental legacy of Johnson Publishing Company archives. Featuring more than four million images, they have contributed to shape the aesthetic and cultural languages of African American identity. Central to the exhibition are the works of two photographers, Moneta Sleet Jr. and Isaac Sutton, who both worked for Johnson Publishing.

The Moscow Museum of Modern Art with the support of the Italian Embassy in Moscow and the Italian Cultural Institute presents a retrospective exhibition by Mikhail Kulakov (1933–2015) titled «The Style of the Thaw Period». The exhibition includes works from Mikhail Kulakov’s workshop in Italy, the State Russian Museum, the Tretyakov Gallery, as well as from private collections in St. Petersburg and Moscow. As a result of the cultural cooperation between Russia and Italy, the exhibition is a continuation of MMOMA’s program dedicated to introducing Moscow audiences to prominent Russian artists. The general partner of the project is the Generali Group, the largest insurance company in Italy.

On the occasion of the symbolic loan by Romania of King Stephen the Great’s “Battle flag of Saint Georges,” this exhibition seeks to highlight the exceptional character of Romanian collections of embroidery of Byzantine tradition, jewel of both Romanian and universal heritage. Around the masterpiece that Stephen the Great (1457–1504) offered to the Zograf Monastery on Mount Athos, which was solemnly handed over by France to the Romanian state in 1917, a number of extraordinary works will illustrate the remarkable development of embroidery of Byzantine tradition in Romania from the mid-15th to the mid-17th centuries. Inherited from Byzantium, the embroidered ornamentation of the “sacerdotal vestments” of bishops, priests and deacons, and that of the “liturgical vestments” intended for worship will be exhibited alongside an unrivalled collection of royal tombstone covers, upon which the hieratic character of Byzantine images was ultimately supplanted by the appeal of portraiture.

The central theme of the new setting-up of the architecture collections is the evolution that the concept of inhabiting has been undergoing since the aftermath of the Second World War, analysed through the works of the great masters of the 20 th century and the new emerging figures in the landscape of international architecture. The setting-up of the exhibition is based on the overlapping of various paths and links the various scales of the act of inhabiting, from the individual to the collective, with specific reference to the more complex and hybrid experiences that bear witness to the new relationships between individuals and communities. The constant dialogue between masters and young architects, made possible by their works, provides a further interpretation.

This exhibition presents an extraordinary chronicler of the Italy of the Fifties and Sixties who published more than 500 photographs in the weekly Il Mondo, portraying created by the famous journalist Mario Pannunzio, protagonists of the worlds of art, culture, fashion and film along with ordinary people.

What a shock it must have been for Hendrick ter Brugghen, Gerard van Honthorst, and Dirck van Baburen, three young painters from Utrecht, when they encountered the breathtaking and unorthodox paintings of Caravaggio for the first time in Rome. Described as ‘miraculous things’, his works were marked by an innovative realism, striking drama, and mysterious lighting. He would shape the style of many artists from Italy, France, Spain, and the Netherlands. The exhibition, developed in collaboration with the Centraal Museum in Utrecht, shows over 70 of the most beautiful and important works of the leading ‘Caravaggisti’, including paintings by Bartolomeo Manfredi, Jusepe de Ribera, and Valentin de Boulogne. Placed alongside the works of their painterly colleagues, it becomes immediately apparent why the significant pictures of these Utrecht painters are so typically Dutch and had success both in Italy as well as at home.

The Collective Symptom project is a new exhibition, being the part of Collection. A Vantage Point Program, which seeks to explore and present art from the Moscow Museum of Modern Art collection. Each previous display in the series revealed a unique method of showing the museum’s collection: from conceptual approach to formal strategy of display. This project, being the fourth installment of the program, deals with a range of motifs belonging to the field of social sensitivity.

Over a career spanning more than six decades, Arp produced a remarkably influential body of work in a rich variety of materials and formats. (…) The exhibition brings to Palazzo Venier dei Leoni more than 70 works—sculptures in plaster, wood, bronze and marble, painted reliefs in wood, collages, drawings, tapestries and books—from European and American institutions and private collections.

Porcelain is like a material memory that can endure for centuries. UIi Aigner uses this medium as a starting-point to transform loss into a material message about life and survival. Her monumental porcelain vessel is to be shown in the series Carlone Contemporary in which contemporary artworks are juxtaposed with the Baroque pictorial programme of the Carlone Hall.

Featuring 12 artists and 18 musicians from 10 countries, this exhibition offers a deep and rich exploration of the beloved global icon through the lens of contemporary art.

“Everyone’s individual world is made up of troubled facts. My work sits between the idea of reality and its representations.“ (Martine Syms) Martine Syms uses video, performance, text, and installation to address representations of blackness. Her research-based practice frequently references and incorporates theoretical models regarding performed or imposed identities, the power of the gesture, and embedded assumptions concerning gender and race.

Since the 1980s, the Brazilian artist Fernanda Gomes has used ordinary and affordable materials to make objects and bricolages (always untitled) whose formal idiom recalls Arte Povera, minimalism, and Brazilian constructivism. Leftovers and lost, disregarded, or discarded items as well as commonplace objects such as glass, mirrors, magnets, strings, hairs, cigarette butts, newspapers, and old furniture are arranged on the scene of the exhibition, assembled in fragile and precarious constructions or consolidated and corded for more compact creations.

Peter Doig paints representational pictures as though they were abstractions. His spellbinding compositions combine planar forms and a palette that is as bold as it is nuanced with vivid painterly gestures. Many of his works show landscapes—the reflective surface of a pond, shadowy figures trudging through snow, the dense foliage of a tropical forest. Suffused with a sense of dreamy unreality, the scenes often evoke a mood of elegiac melancholy. With a keen eye for the faintly unsettling quality that looms just beneath the surface of his landscapes, Doig insistently probes man’s encounters with nature and the loneliness of the individual. His most recent work shows a growing interest in the human figure.

Weltmuseum Wien presents the most extensive exhibition of modern and contemporary art from Nepal to date. The works on display range from outstanding representatives of the 1950s through to today’s nascent scene of vibrant new artists. As well contributing to an effective resituating of the West’s status within an international context, these works also offer insights into how the local, the national and the global interplay.

Výstava mladého výtvarníka Jozefa Piláta je průřezem jeho tvorby. Prezentuje malby, kresby, prostorové objekty, instalace a videoinstalace vznikající v průběhu jeho studií na  Akademii výtvarných umění ve Varšavě.

To mark the centenary of the founding of the Bauhaus, this exhibition opens up a dialogue between contemporary art and the photographic avant-garde of the 1930s. It juxtaposes works by artists such as László Moholy-Nagy, Lucia Moholy, Man Ray, Jan Tschichold, Hedda Walther, Florence Henri, Hans Robertson and Erich Consemüller with groups of works by Thomas Ruff, Dominique Teufen, Daniel T. Braun, Wolfgang Tillmans, Doug Fogelson, Max de Esteban, Viviane Sassen, Stephanie Seufert, Kris Scholz, Taiyo Onorato & Nico Krebs, Antje Hanebeck and Douglas Gordon.

The Weltmuseum Wien is showing the largest-ever exhibition showcasing modern and contemporary art from Nepal. The works on display range from outstanding representatives of the 1950s through to today’s nascent scene of vibrant new artists. As well contributing to an effective resituating of the West’s status within an international context, these works also offer insights into how the local, the national and the global interplay.

The exhibition ‘BEYOND’ features seven international artistic positions from the Olbricht Collection, who use their respective art forms to explore the subject of the afterlife. Each artist fills a separate space with art in their chosen media, ranging from painting, sculpture, video, installation to printmaking. Artists: Jonas Burgert, Jake & Dinos Chapman, George Condo, Nathalie Djurberg & Hans Berg, FORT, Kris Martin, and Francisco de Goya  

From miniskirts and hot pants to vibrant tights and makeup, discover how Mary Quant launched a fashion revolution on the British high street, with over 200 garments and accessories, including unseen pieces from the designer’s personal archive.

An unconventional, multimedia, and narrative exhibition dedicated to the life and work of Andrzej Wajda, illustrating the genius of this great producer, master of dramaturgy, and creator of unforgettable images.

A selection of Broel’s life-sized to monumentally-sized totemic bronze sculptures creates space for reflection and contemplation about what it means to be human, be engaged as an individual within community and interact intentionally with the natural world. In his series of vertically oriented structures, Broel references tangible and intangible notions that resonate universally: botanical and architectural structures, environmental rhythms, physical and emotional solitude. Intentional abstraction creates a generous context for engaging with the sculptures. Allusions to historical references create a sense of timelessness and familiarity, yet the pieces exist outside the rapidly shifting visual language of stylized contemporary aesthetics. This unique sculptural installation exposes viewers to aspects of the American rural West’s untamed spirit, vast rugged landscapes, and traditions of mysticism. Broel’s intentional decision to live and work in a small agrarian community in the Pacific Northwest provides viewers with a raw vision of inward examinations that relate more to the health of the psyche than to the pop-culture echo chamber. The work is a complex fusion of expressions: longing, melancholy, hope and contentment.

Eduardo Carrillo’s artwork has been described as mystical, realistic, surreal, and visionary. His imagery, whether grounded in the everyday world or infused with magical realism, reflects his relationship to his native California and to his Mexican heritage, as well as to his early religious upbringing and respect for European traditions in art. An inspirational leader who actively challenged racism and injustice, Carrillo created programs and platforms that promoted greater awareness of Latin American culture, aesthetics, and social concerns, significantly advancing the recognition and appreciation of Chicano art and culture in California. Testament of the Spirit: Paintings by Eduardo Carrillo highlights the creative efforts and social importance of Carrillo as artist, teacher, scholar, and social activist. It showcases work created for three distinct realms: the public, the private, and the museum. The artist’s murals are featured in the full-color, bilingual exhibition catalogue. Intimate watercolors and paintings describe the artist’s everyday life in self-portraits, still lifes, and images of people and places he held dear. Large-scale visionary paintings—Carrillo’s masterpieces—reveal his complex and creative mind. The exhibition also includes the bilingual video Eduardo Carrillo: A Life of Engagement, by Pedro Pablo Celedón. Testament of the Spirit: Paintings by Eduardo Carrillo was organized by the Crocker Art Museum, […]

Born in Louisville, Kentucky, Kenneth Victor Young (1933-2017) moved to Washington, DC in 1964 where he began to paint abstract forms with washed acrylics on unprimed canvas. Young’s artistic philosophy was to bring order out of chaos. His studies in physics and the natural sciences at Indiana University informed a different imagery—a fusion of brilliant colors. Young’s knowledge of form and matter gave his paintings a spatial intensity, and he infused this space with multiple orbs of color held together in molecular suspension. Kenneth Victor Young had an illustrious 35-year career as an exhibition designer for the Smithsonian Institution, and his extensive travels during this time helped inform his cosmic abstract style of painting. His love for jazz influenced the movement and vitality of his work. He is known for his floating colored orbs—imagery that attempts to bring order to chaos and that comments on the pandemonium of life.The selection is representative of the main aspects of his oeuvre as it evolved over several decades. It includes a wide variety of collages in diverse techniques: both early works and those of his mature period; on very small scale and large ones; two-dimensional and sculptural.

Printmaking Legacy Project’s® first national print exhibition, Forward Press: 21st Century Printmaking features ten innovative print artists from across the country who employ the finest examples of hand printed and digital techniques. They explore themes of culture, identity, religion, environment, memory, and art history. Some work in traditional forms, like lithography, intaglio, relief, and screen printing, while others explore these methods as the basis for large-scale sculpture, collage, and integrating technology into printmaking. These ten artists are changing the way American printmaking is seen and understood.

The exhibition of works by the Belgian painter Raoul De Keyser (1930–2012) unites more than 100 paintings from all phases of his career, some of which have seldom or never been shown before.

The exhibition is a journey through the history of artists’ engagement with the Moon, from the Romantic era to the present day. Divided into thematic sections, it focuses on topics such as lunar topography, moonlit night and the Moon’s shadow, ailments associated with the Moon, zero gravity and the Moon as mass media phenomenon.

Standing in front of a painting that opens up like a window onto another world, who wouldn’t imagine what it would be like to really step inside the world of the picture? After an intensive development process, the Alte Nationalgalerie’s new app allows visitors to get up close and personal with one of the key works of the collection and its history in a totally new way.

Portraits and self-portraits by the painter Lotte Laserstein put a face on modern society in the Weimar Republic. Alongside her exhibition here at the Berlinische Galerie, BG has chosen some other (self-)portraits by artists who were living and working in Berlin at the same time as Laserstein.

Berlin’s Lotte Laserstein (1898-1993) was one of the most sensitive portrait painters of the early Modernist period when tradition vied with innovation. By the time she was 30, she was a well-known and successful artist. Her career was brutally ended in 1933. Berlin’s public museum of modern art, photography and architecture will show 58 works – 48 paintings and 9 drawings – by Laserstein along with documents reflecting her professional heyday in Berlin and her exile in Sweden.

Jedno bez druhého je autorská výstava dvou mladých slovenských výtvarnic Diany C. Garafové a Nikoly Šušovicové. Obě autorky se ve své tvorbě zabývají problematikou vnitřního prostoru výtvarného díla, jeho umístěním v prostoru fyzickém a optickými iluzemi.  

Galerie prezentuje výstavu významného českého intermediálního umělce Jiřího Černického (1966) a soustředí se na jeho tvorbu, která leží na rozhraní malby, obrazu a objektu.

On the occasion of the 150th anniversary of the signing of the Treaty of Friendship, Commerce and Navigation concluded between the two monarchies Japan and Austria-Hungary in 1869, Weltmuseum Wien will feature a new exhibition from the collection of the daimyō family Hosokawa opening in April 2019. The members of this elite clan of samurai warriors had served the shogun since the Muromachi period (1333–1568). The generals of the Hosokawa family not only went into battle for their shoguns but also assisted in the field of administration as military governors. Starting the Edo period (1600–1868), the family was based in the Kumamoto domain.

The exhibition features slides, colour photos, vintage prints, correspondence and proofs, documents recounting the complexity of the creative process. In particular, the exhibition investigates the relationship between the photography of Elisabetta Catalano and performance art, presenting portraits of a number of artists including Joseph Beuys, Fabio Mauri, Vettor Pisani and Cesare Tacchi during the preparatory phases of the performative process.

Paola Pivi (1971) Leone d’Oro at the Biennale of Venicein 1999, presents to MAXXI a project site specific, immersive and engaging, where there are a succession of historical works and more recent works between sculpture and installation. Paola Pivi’s works, which range from monumental installations to minimal interventions, appropriate spaces and turn them into artistic contexts and moments characterised by specific material, formal, ludic, ironic and surprising features. With this project, MAXXI continues its research work and enhancement of significant Italian artists In the international art scene, promoting their knowledge also to the general public.

The Museo del Prado is presenting Giacometti in the Museo del Prado, organised in the context of the celebrations of its Bicentenary and with the collaboration of the Comunidad de Madrid and Fondation Beyeler and the support of the Swiss Embassy and Grupo Mirabaud.

The exhibition GENERATION WEALTH by award-winning filmmaker and photographer Lauren Greenfield shows today’s ubiquitous quest for status, beauty, and wealth.

On the occasion of what would have been KP Brehmer’s 80th birthday, the Hamburger Kunsthalle is devoting a comprehensive exhibition to the German painter, graphic artist and filmmaker. KP Brehmer belongs to the generation of artists who used the American Pop Art idiom to develop a critical German brand of »capitalist realism« – the title René Block chose for the portfolio he published in 1968 of works by KP Brehmer and his contemporaries Sigmar Polke, Gerhard Richter, Wolf Vostell and Konrad Lueg.

Jack’s Jacks, which was conceived in close cooperation with the artist, shows how Whitten, over a period of more than five decades, continually extended the boundaries of abstract painting. Beginning with early gestural paintings that were strongly influenced by Abstract Expressionism, the exhibition traces Whitten’s development as a painter through to his later experiments with structure and materiality that resulted in a unique tesserae style. The exhibition pays particular attention to paintings dedicated to historical events and prominent people.

With this exhibition, the Centre Pompidou presents the first retrospective devoted to the photographers Harry Shunk (1924-2006) and János Kender (1937-2009). Through a selection stemming from more than ten thousand prints from the period, housed in the Kandinsky library and acquired in 2008 thanks to a donation by the Roy Lichtenstein Foundation, discover a priceless eye-witness account of post-war art.

Tate Britain presents a major exhibition about Vincent van Gogh (1853–1890). The EY Exhibition: Van Gogh and Britain is the first exhibition to take a new look at the artist through his relationship with Britain. It explores how Van Gogh was inspired by British art, literature and culture throughout his career and how he in turn inspired British artists, from Walter Sickert to Francis Bacon.

This Kunstkammer exhibition brings together for the first time all extant works by the anonymous artist known as the Master of Heiligenkreuz. In 1926, the Kunsthistorisches Museum acquired the seminal work of a painter regarded as one of the most extraordinary and mysterious artists active at the turn of the fifteenth century in Austria: recently restored, the inner panels of the diptych from Cistercian abbey of Heiligenkreuz (in the environs of Vienna) depict, respectively, the Annunciation and the Mystical Marriage of Saint Catherine.

The anniversary program 25 Years Kunstmuseum Wolfsburg will present the most comprehensive overview of the collection to date. Founded in 1994, the collection now unites more than 600 installations, work groups, and individual works by 100 artists.

Talk of living out in the countryside inevitably conjures up all sorts of images before our mind’s eye. Descriptions range from the romanticism of farming life to the dreariness of life in the provinces, shaped as much by personal experiences as by anecdotes and depictions consumed via the media – the image of village life and the reality of it at times worlds apart. In a photographic and artistic analysis of what life in the countryside is like today, the exhibition Über Leben am Land at the KUNST HAUS WIEN focuses on Europe and the US.

The Moscow Museum of Modern Art together with BREUS Foundation presents an exhibition of the founders of Sots Art Vitaly Komar and Alexander Melamid. This is the artists’ first retrospective in Russia. The exhibition includes works created by the artists as a tandem, which they now call «a character named ‘Komar & Melamid’». Among them are more than 20 iconic pieces from the collection of BREUS Foundation. The works Komar and Melamid produced before 1972, the year when the collective was formed, and after 2003, when it ceased to exist, are not included in the show.

The Moscow Museum of Modern Art together with Tabakman Collection presents «JUMBO LOVE©Henry Khudyakov» — the first solo exhibition of Henry Khudyakov to be held in Russia. The retrospective includes Khudyakov’s artworks and memorabilia from his career such as artist’s books, documentation of performances, video interviews, archive materials and photographs. The show can be regarded as a journey interspersed with the artistic events and artworks that played a crucial role in Khudyakov’s life.

Traditional Jewish cemeteries are like immense pages of old chronicles or the Scripture, handwritten on the soil with gravestones as letters and lanes as background, dotted with ritual buildings and framed by long walls. Modern Jewish graves depart from this world in order to bring Jewish cemeteries closer to the Christian world. Photographs by Rudolf Klein offer an insight into this world.

Coinciding with the reopening of the Gropius Bau in March, the Walther König Bookshop curates an exhibition of artist books focusing on collecting and archiving.

Gropius Bau explores the concept of crafts and handmade processes in Berlin’s contemporary art scene, taking its history as a former museum for decorative arts and educational institution as a starting point.

Peter Friedl’s multifaceted works are exemplary suggestions and solutions for aesthetic problems regarding our political and historical consciousness. In pursuit of new narrative models, his projects examine both the construction and limitations of representation. The exhibition Teatro at Kunsthalle Wien focuses on a series of recurring themes in Friedl’s œuvre: model, language, history, translation, theatricality. The centrepiece of the exhibition is the film installation Report (2016), which was first presented at documenta 14 (2017). Based on Kafka’s AReport to an Academy Friedl developed a simultaneously complex and cinematographically opulent reflection on the interplay between identity and language, as well as adjustment and autonomy. Works such as The Dramatist (Black Hamlet, Crazy Henry, Giulia, Toussaint)(2013), and Teatro Popular (2016–2017) focus on the topos of theatricality as well but concentrate on the concept of the model. Inspired by traditional forms of puppet theatre, these model arrangements may be interpreted as potential counter-narratives to modernity. This links them to the series of architectural models Rehousing (since 2012), a selection of model houses presenting highly diverse reflections on history, politics, biographies, and ideologies; they are “case studies for a kind of mental geography relating to an alternative strain of modernity”. (Friedl)

This exhibition focuses on graphic works by artists who deal with questions of role ascriptions, gender identities and the sustainability of social norms. Artists: Horst Antes, Stephan Balkenhol, Bernhard Johannes Blume, Rudolf Bonvie, Peter Campus, Walter Dahn, Jiří­ Georg Dokoupil, Niki de Saint-Phalle, Rudolf Giger, Dorothy Iannone, Alexej von Jawlensky, Kala Sic, Udo Kier, Konrad Klapheck, Jürgen Klauke, Christof Kohlhöfer, August Macke, Tony Morgan, Bruce Nauman, Dennis Oppenheim, Sigmar Polke, Ulrike Rosenbach, Tomas Schmit, Bernard Schultze, Katharina Sieverding, Wolfgang Tillmans, Timm Ulrichs, Ben Vautier, Klaus vom Bruch, Franz Erhard Walther, Ilona und Wolfgang Weber, Erwin Wurm

El Lissitzky (1890, Pochinok, Smolensk – 1941, Moscow) is one of the key figures of the Russian – Soviet revolutionary avant-garde and international avant-gardes of the 20th century. He worked as an architect, graphic artist, painter, typographer, designer and photographer. RUDOLF SIKORA (*1946, Žilina) is one of the most important figures of Slovak visual art, his work of a conceptual pedigree found international recognition. He has been active in most areas of visual art, including painting, drawing, graphic art, photography, action art, objects and installations. The Rudolf/eR Sikora exhibition has been designed as an independent visual and ideological parallel to the visual (and ideological) world of El Lissitzky.

Step into the fascinating world of science fiction and discover the ongoing human quest for the unknown – on our own planet and in a remote part of the universe. More than 850 unique objects show the incredible imagination and inventiveness of the human mind. Travel through time and space with film clips and video installations, rare manuscripts and drawings, books and comics, art and design, and admire the many costumes, masks, models and props from film classics like Star Wars, Star Trek and Godzilla.

The Neue Sammlung has invited Karen Pontoppidan, Professor of jewelry at the Academy for Applied Arts Munich, to curate an exhibition that keenly examines the role of artist jewelry as a mode of critical discourse. In the works of a new generation of designers, jewelry has extended far beyond an expression of personal identity to become an instrument of social commentary and critique. Themes such as ecology, consumer society, and feminism have all been directly addressed through jewelry. There are also softer, but no less societally relevant references, like questions of identity-formation or the current state of humanity in the 21stcentury.

Figures of women, men, animals and symbolic objects, frequently larger than life, resemble the motionless nobili­ty of mysterious gods by their slim almost Gothic silhouettes.

Iiu Susiraja (b. 1975) has degrees in textile design and photography from the Finnish Academy of Fine Arts, where she studied 2012–2016. This is her first extensive museum exhibition in Finland. In addition to photographs and videos, it also includes an installation.

Kunsthistorisches Museum presents for the first time in Austria an exhibition dedicated to the great American artist, Mark Rothko. Together with his contemporaries, Jackson Pollock, Barnett Newman, and Willem de Kooning, Rothko was one of the Abstract Expressionists, whose works made New York a centre of modern art. Rothko undertook three extensive trips to Europe, visiting as many churches, architectural monuments, and museums as he could. Art and architecture of the recent and more distant past are a vigorous presence in his work. Our exhibition presents an overview of Rothko’s artistic career from the early figurative works of the 1930s to those of the 1940s, and the classical abstract paintings of the 1950s and 1960s that made him famous.

The works in the exhibition are by artists such as Rembrandt, Anton Graff, Karl Stauffer-Bern, Adolf Wölfli, Meret Oppenheim, Maria Lassnig, Manon and Luc Tuymans – as well as outstanding self-portraits by relatively obscure or forgotten artists.

Harald Bergmann, Gerald Domenig, gerlach en koop, Peter Handke, Ana Jotta, Pierre Leguillon, Erle Loran, Benoît Maire, Léo Marchutz, John Rewald, Ker-Xavier Roussel, Hartwig Schwarz, Jean-Marie Straub/Danièle Huillet, Joëlle Tuerlinckx, Rémy Zaugg

Fury, fear, lust – depictions of psychological extremes still exert a fascination on artists and viewers today. But in our “facial society,” what remains a valid form of (self-)portrait beyond the realm of Facebook and selfies? Using Messerschmidt’s famous Character Heads as a springboard, the exhibition at the Orangery takes a head on look at the human face. 

Téme stredoeurópskej plenérovej krajinomaľby, ktorá sa rozvíjala v priestore bývalej rakúsko-uhorskej monarchie v rokoch 1860 – 1890, sa doteraz nevenovala príliš veľká pozornosť. Výstava organizovaná Západočeskou galériou v Plzni a Slovenskou národnou galériou je jedným z prvých pokusov zamerať sa na tvorbu osobností výtvarnej scény, ktoré sa pohybovali medzi dunajskou monarchiou a súdobými centrami výtvarného umenia.

Born in Poland and based in London, Piotrowska has an interest in domestic spaces and man-made environments. For one series of works she asked people in Lisbon, Rio de Janeiro, Warsaw and London to build makeshift shelters in their homes and gardens, subverting childhood play. Other works present gestures and movements from self-defence manuals, implying violence against women as well as their empowerment. Her photographs and films relate to self-protection, psychophysical relationships and the power dynamics underlying how we relate to each other. Her work was included in Being: New Photography 2018, MoMA, New York and 10th Biennale Berlin, 2018, Germany and forthcoming projects include a solo show at Kunsthalle Basel in the autumn 2019.​

This major new exhibition brings together works by one of Britain’s best-known and most widely celebrated photographers, Martin Parr. Including recognisable photographs alongside works never before exhibited it will focus on one of his most engaging subjects – people. The exhibition will include portraits of people from around the world, with a special focus on Parr’s wry observations of Britishness, explored through a series of projects that investigate British identity today.

Výstava Que Viva Picasso – Nech žije Picasso! vznikla pri príležitosti marca, mesiaca knihy. Prezentuje sedem grafických cyklov Pabla Picassa (1881 – 1973), jedného z najznámejších predstaviteľov Parížskej školy, v limitovaných bibliofilských edíciách zo zbierky súkromného zberateľa Thomasa Emmerlinga.

The mysterious circumstances surrounding the death of Stéphane Mandelbaum, assassinated in 1986 at the age of 25 and his ability to take on multiple personalities make the life of this Belgian artist worthy of a fictional novel.

‘I want to be a Name, not a master’ wrote Isidore Isou in 1947. Since his arrival in Paris in 1945, at the age of twenty, Isou had already made a name for himself. He met figures from the intellectual sphere such as André Breton, André Gide or Tristan Tzara, with and against whom he positioned himself as one of the last champions of avant-gardism…

Featuring more than sixty etchings, lithographs and linoleum cuts, the exhibition presents a selection from the holdings of the Städel Museum’s Department of Prints and Drawings, enhanced by a small number of loans from the Museum Ludwig in Cologne and a private collection. The selection vividly illustrates the full range and development of Picasso’s graphic oeuvre from the early years in Paris to his late work.

The photographer Helmut Wimmer has been working with the Ganymede series in the Kunsthistorisches Museum for many years, producing sensitive and exciting portraits of the authors involved. For GANYMEDE NATURE he has let nature burst into the museum and its galleries. Comprising twelve tableaus, his photographic project The Last Day is inspired by historical facts and natural catastrophes: In the most poetical sense, Nature herself takes centre stage. Earth and water make their way through the galleries. Mountains take possession of the rooms. Leaves and shady groves cover ancient busts. A visual dialogue between two contrary worlds takes spectators on a journey in which violence and anger, memory and accusations are as palpable as pausing to think, and forgiveness. Nature as a space for civilisation and history. The museum competing with the forces of nature.

Taking designs for interiors produced during the Modernist period as a starting point, contemporary artists are presenting their own spatial concepts and exhibition designs in the Albertinum. Since the mid-1980s the artist Heimo Zobernig has been experimenting with the design of interiors and the presentation of art, as well as with geometric abstractions like those of Piet Mondrian. In a series of paintings created successively from the year 2000 onwards, he has used materials such as acrylic paint and tape to investigate the grid structure as an avantgarde form of expression since the Modernist era.

Kandinsky, Mondrian, Lissitzky and the Abstract-Constructivist Avant-Garde in Dresden 1919 – 1932 Exhibition Site: Albertinum

The exhibition at the Deichtorhallen Hamburg and the accompanying program of musical events at the Elbphilharmonie, HYPER! SOUNDS, includes more than 60 international artists and musicians who explicitly work between ​​the disciplines of art and music and – often unnoticed by the broader public – decisively integrate references from both these areas into their art. Superstars from the worlds of art and music such as Andreas Gursky, Kim Gordon, Alexander Kluge, Rosemarie Trockel, and Wolfgang Tillmans will be featured alongside avant-gardists such as Arthur Jafa, Thomas Scheibitz, Peter Saville, and Arto Lindsay. The exhibition is narratively underpinned by dozens of interviews that Max Dax conducted with the participants in HYPER! in recent years.

The glowing tension of invisible connections, the unveiling of unspeakable feelings and the unleashing of fantasy create the inimitable atmosphere of the exhibition of works by David Lynch. The filmmaker’s surreal images based on photo montages as well as reinterpreted portraits and reproductions open up dimensions of space and time, making up a universe well known from Lynch’s films. Small Stories takes visitors on a psychedelic journey through the world of emotions, humour, playfulness and restlessness, while unveiling past memories and scars. Similarly to his films, these images are dominated by dreams with the fundamental driving force of his poetic vision being the connection between the subconscious and reality.

What are young artists who live and work in Vienna interested in? What subjects are in the air, what strategies do they use? The exhibition On the New. Young Scenes in Vienna is conceived as a stroll through local art communities: it brings together 18 individual artistic approaches as well as 12 independent exhibition spaces. In this show, specifically produced works are juxtaposed with specially arranged exhibitions within the exhibition; artistic and curatorial formats combine to create a dynamic entity that will change over the course of the show.

For more than four decades Ann and Jürgen Wilde have been compiling their unique collection of modern and contemporary photography, which has been affiliated with the Bayerische Staatsgemäldesammlungen since 2010, as the Ann and Jürgen Wilde Foundation. Works by photographers like Aenne Biermann, Florence Henri, and Germaine Krull lie at the collection’s core. The program at Galerie Wilde (1972–1985), which was the only gallery in Germany to specialize in photography at the time of its founding, was also innovative for including female photographers, among them Jan Groover, Marcia Resnick, Gwenn Thomas, and Deborah Turbeville. To this day, Ann Wilde remains particularly interested in promoting and acquiring work made by female artists and photographers. On the occasion of her birthday, the donor is opening her private collection to the public for the first time. Re-visions presents photographs that speak to Ann Wilde personally: work from the 1920s up to the present, made by artists like Johanna Diehl, Rineke Dijkstra, Marie Jo Lafontaine, Barbara Probst, Alexandra Ranner, Judith Joy Ross, Martina Sauter, Eva-Maria Schön, Kathrin Sonntag, and Heidi Specker.

Tribute to Ellsworth Kelly, one of the major figures of 20th and 21st century abstract art, through the six Windows created in France between 1949 and 1950, in addition to a series of related paintings, drawings, sketches and photographs.

Tate Modern unveils a major exhibition of the work of pioneering artist Dorothea Tanning (1910-2012). Organised in collaboration with the Museo Nacional Centro de Arte Reina Sofía in Madrid, it is the first large-scale exhibition of her work for 25 years and the first ever to span Tanning’s remarkable seven-decade career. Bringing together some 100 works from across the globe, over a third of which are shown in the UK for the first time, the exhibition explores how she expanded the language of surrealism. From her early enigmatic paintings, to her ballet designs, uncanny stuffed textile sculptures, installations and large- scale late works, it offers a rare opportunity to experience the artist’s unique internal world.