This exhibition, which marks the 150th anniversary of the TU Munich, sheds light on the architectural history of the Kingdom of Bavaria during the reign of Ludwig II (1864-1886). The exhibition provides the first ever survey of the buildings constructed under his aegis, and of the projects that went unrealised. The focus is not just on the world-famous royal palaces and the spectacular theatre projects which Ludwig II personally commissioned, but also on the public and private architectural developments of his time. These include prominent buildings such as the Munich Rathaus (Town Hall), the Munich Academy of Fine Arts and the ‘Bayreuth Festival Theatre‘, but also buildings which are less well-known, but are architecturally outstanding and of cultural-historical significance, such as the original building of the ‘New Polytechnic School’ (now TU) in Munich, the synagogues in Munich and Nuremberg, the factory buildings of the Augsburg textile quarter and the ephemeral architecture created for the ‘Bayerische Landes-, Industrie-, Gewerbe- und Kunstausstellung‘, held in 1882 in Nuremberg.
Modern photography is intimately connected to urban culture. In the 1920s, photographers drew inspiration from the urban environment to make experimental compositions and create the ‘new vision’ of the Neues Sehen movement. Their approach is today considered emblematic of avant-garde photography. At the same time, however, many photographers directed their gaze towards the social fabric of the city. Adopting the role of flaneurs and street photographers, they documented everyday life and the sheer dynamism of the city’s countless inhabitants. These views show the city as a collective living space, while creating a multi-layered portrayal of people and their living conditions in urban space. The exhibition shows photographs from the 1920s to the 1940s by Aenne Biermann, Florence Henri, Germaine Krull, Man Ray, Albert Renger-Patzsch, and Friedrich Seidenstücker from the collection of the Ann and Jürgen Wilde Foundation.
Anselm Kiefer – THE MICHAEL & ELEONORE STOFFEL FOUNDATION ACQUIRES FIVE WORKS BY ANSELM KIEFER FOR THE BAYERISCHE STAATSGEMÄLDESAMMLUNGEN
The Michael & Eleonore Stoffel Foundation has worked in close collaboration with the Bayerische Staatsgemäldesammlungen to acquire on behalf of the latter institution five works by Anselm Kiefer. The acquisition marks a milestone in the development of the collection. Anselm Kiefer has created a body of work that broke the silence surrounding the German past in the Third Reich, while also finding a poignant language for articulating the global intertwinement of human civilization. He delves deep into old Christian, Kabbalistic, and Far Eastern traditions, explores the world’s great mythical, religious, and poetic texts, and forges links between them and the world as it is experienced today. The monumental painting “Der Sand aus den Urnen” (2009) and the two large wall pieces transferred onto lead in 2011 and entitled “OCCUPATIONS” (1969/2011) as well as the two display cases “Die 12 Stämme“ (2010) and “Morgenthau” (2016) will now form an additional highlight in the collection profile at the Pinakothek der Moderne.