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My exhibition had enormous publicity and the pavilion was one of the most popular of the Biennale. I was terribly excited by all this, but what I enjoyed most was seeing the name of Guggenheim appearing on the maps in the public gardens next to the names of Great Britain, France, Holland, Austria, Switzerland, Poland . . . I felt as though I were a new European country. Peggy Guggenheim, Out of this Century. Peggy Guggenheim in the Greek Pavilion at the 24th Venice Biennale, where she exhibited her collection, while she hangs Seated Woman II (1939, PGC) by Joan Miró; 1948. Solomon R. Guggenheim Foundation. Photo Archivio Cameraphoto Epoche. Gift, Cassa di Risparmio di Venezia, 2005. This year marks the 70th anniversary of the exhibition of the collection of Peggy Guggenheim in the Greek Pavilion at the 24th Venice Biennale. In order to commemorate this milestone event in the history of 20th-century art, the Peggy Guggenheim Collection presents an homage exhibition 1948: The Biennale of Peggy Guggenheim, curated by Gražina Subelytė, Assistant Curator, installed in the Project Rooms from 25 May to 25 November 2018. The exhibition will partially recreate the setting of the pavilion through documents, photographs, letters, and for the first […]

Photographs, photocollages, many of which have never before been on view, and a selection of paintings, drawn from the collections of Solomon R. Guggenheim Museum, New York, and the Josef and Anni Albers Foundation, illuminate the relationship between the art of Josef Albers (1888–1976) and the geometrical forms of pre-Columbian monuments studied by the artist on his travels to Mexico, offering new perspective on his most celebrated abstract works.

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10 am - 6 pm

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Středa

10 am - 6 pm

Čtvrtek

10 am - 6 pm

Pátek

10 am - 6 pm

Sobota

10 am - 6 pm

Neděle

10 am - 6 pm