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“I live my life on the border that separates dream and reality.” And it is this dream aspect of Dušan Kállay’s concepts which we admire in his illustrations and paintings. His dreams, no matter how connected with reality, exist outside this reality and cannot escape it. What seems to us to be a faithful depiction slips away into a mysterious world of unconventional relations and circumstances. This allows the artist to discover the diversity of the world in various forms: through the bizarre world of people, animals and things. Dušan Kállay is an excellent illustrator and colorist whose illustrations and paintings are closely linked by the phenomenon of color. More than technological anticipations, they share the ability to transform a motif with magical suggestiveness and the belief that magic really exists. He sees the stories he brings to us through a lens of detachment, humor and gentle irony. Perhaps he drew some inspiration from Dadaists or Surrealists; in any case, he discovers hidden humanized legacies in dramatic situations and banter. He bases his work on the conviction that “the world is much wider than the world that we can see.” Thus, every book that he has illustrated (and which he […]

Theme of the solo exhibition of Patrícia Koyšová is expressed by a simple and apt title ZOOM referring us to the view through lenses of camera, for example, which enables smoothly change the focal point for imaging objects in various distances with permanent focus. Artist consistently works with the process of depiction and vision, she studies it especially in abstract painting the morphological structure of which is flexible, floating, forcing to look for focal points, but the gaze of spectator is taken away on waves, streams and swirls. Artist’s processual abstraction is experiential painting which through primary range of colors and forms created by applying experimental technique – air painting by compressor and blowing pistol delivers dynamic experiencing of painting as a spontaneous creative process. Her paintings are designed off the central axis, focal point, lacking any form points or lines which would anchor them, to which we could focus firmly. Patrícia composes them in such a way that she puts in contrast an exact shape, a circle for example, and loose trace of air pistol which follows proximate line and then she crosses/scribbles over that line. Thus, she reaches certain stability. According to György Kepes (Language of Vision), the […]

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